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Acrylic on canvas
My objective is to interpret through confident marks and colour so that the original inspiration is only just recognizable in the painting, which is the complete antithesis of realism and photographs. |
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Oil on canvas
On the Edge has been an exciting brief to work to. I have produced a number of works which contain physical edges but some also verge on the edge of abstraction, allowing the medium to dictate the composition of the final piece. Many of the paintings have been produced through experimentation with media in a deliberate attempt to create effects different to my usual repertoire of mark making. I have used poured paints extensively in the red landscapes and Ammonites on Black series, allowing the compositions to develop from the random shapes that were formed through the application process. |
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Oil on canvas
My recent work centres around two interests: the image of the lonely beauty queen and images of contemporary young women. Women are being ‘viewed’ all the time: the beauty queens and the young women are seen up close as if they are caught out. They gaze, often at the viewer, with a look that is ‘on the edge’ - both tense and vulnerable. I mostly paint in oil and I also take black and white photographs. |
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Oil on canvas NFS
On the Edge has been an exciting brief to work to. I have produced a number of works which contain physical edges but some also verge on the edge of abstraction, allowing the medium to dictate the composition of the final piece. Many of the paintings have been produced through experimentation with media in a deliberate attempt to create effects different to my usual repertoire of mark making. I have used poured paints extensively in the red landscapes and Ammonites on Black series, allowing the compositions to develop from the random shapes that were formed through the application process. |
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Mixed media
The price is for one of the four paintings shown. Please contact the artists for more details. |
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(acrylic, graphite)
My painting is inspired by the visual ‘marvels’ of the everyday: a patch of light in the corner of the garden, pile of pebbles, a shell glowing yellow under the water. I work for the most part using oil or acrylic paint, or a combination of these. I also include other materials from time to time, such as wax, textiles, threads and wire. In these three paintings, I am interested in conveying the notion of looking out or down from an ‘edge’: towards a distant horizon; or downwards into a pool of water; or towards an indistinct ‘way through’ or ‘way out’. The intention in all my paintings is to i... |
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acrylic
My painting is inspired by the visual ‘marvels’ of the everyday: a patch of light in the corner of the garden, pile of pebbles, a shell glowing yellow under the water. I work for the most part using oil or acrylic paint, or a combination of these. I also include other materials from time to time, such as wax, textiles, threads and wire. In these three paintings, I am interested in conveying the notion of looking out or down from an ‘edge’: towards a distant horizon; or downwards into a pool of water; or towards an indistinct ‘way through’ or ‘way out’. The intention in all my paintings is to i... |
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acrylic
My painting is inspired by the visual ‘marvels’ of the everyday: a patch of light in the corner of the garden, pile of pebbles, a shell glowing yellow under the water. I work for the most part using oil or acrylic paint, or a combination of these. I also include other materials from time to time, such as wax, textiles, threads and wire. In these three paintings, I am interested in conveying the notion of looking out or down from an ‘edge’: towards a distant horizon; or downwards into a pool of water; or towards an indistinct ‘way through’ or ‘way out’. The intention in all my paintings is to i... |
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Mixed media on paper
On the Edge has been an exciting brief to work to. I have produced a number of works which contain physical edges but some also verge on the edge of abstraction, allowing the medium to dictate the composition of the final piece. Many of the paintings have been produced through experimentation with media in a deliberate attempt to create effects different to my usual repertoire of mark making. I have used poured paints extensively in the red landscapes and Ammonites on Black series, allowing the compositions to develop from the random shapes that were formed through the application process. |
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Mixed media on paper
On the Edge has been an exciting brief to work to. I have produced a number of works which contain physical edges but some also verge on the edge of abstraction, allowing the medium to dictate the composition of the final piece. Many of the paintings have been produced through experimentation with media in a deliberate attempt to create effects different to my usual repertoire of mark making. I have used poured paints extensively in the red landscapes and Ammonites on Black series, allowing the compositions to develop from the random shapes that were formed through the application process. |
Whilst great care has been taken to try and realistically represent the artwork's colour hue,
contrast, etc. it is impossible to accurately reflect the physical work of art using a computer monitor / screen.
Contemporary art for sale at affordable prices. affordable art Affordable Contemporary Art Exhibition
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